CHARACTER REFERENCE · CREATE YOUR OWN3073Grade 3 · LESSON 479 OF 519
Backpack Penguin: Keep Your Character the Same
Make a character consistency sheet featuring a penguin with an oversized backpack. The character wants to carry one library book, but packs so much that the bag tips backward. One possible ending: it uses the empty bag as a book sled. Invent a different kind ending if you prefer.
One way your story could work
The character wants to carry one library book, but packs so much that the bag tips backward. One possible ending: it uses the empty bag as a book sled. Invent a different kind ending if you prefer. A front view, side view, and small action pose share the same head-to-body proportion and prop shape; not every line needs to be identical.
The image introduces the character and prop; it is shared across ten different skill lessons. Follow this lesson’s directions to make its specific finished piece, using your own design.
Explore Cartooning →
This is one of ten skill lessons using the Backpack Penguin story seed. Teach it independently or keep the character for a short skill sequence. Use large, clear shapes and show one understandable change. A character study is shared across this sequence; the written worked example explains this lesson’s specific outcome.
Right-sized challenge · Grade 3
Core goal: Use large, clear shapes and show one understandable change.
Before starting: Try one small model sheets sample. If the main action is unfamiliar, model it before the full project.
If it feels too hard: Reduce the number of details; offer prepared panel boxes, larger tools, a partner, and dictated labels.
If the skill is already secure: Make a second version with a different visual choice and compare how an unfamiliar reader understands it.
Adult support: Students choose their own designs. Adults prepare tools, supervise binding, and preview external resources.
Time: One 45-minute meeting for a focused study; two for a flipbook or a longer revision. Finish the core skill before optional decoration.
Safety: Use school drawing tools. Adults handle stapling and difficult cuts. Keep jokes kind; do not caricature classmates or stereotype identities. No public account or upload required.
Suggested teaching starting points, not fixed ability bands. Adjust after observing the learner. Informed by NAEYC process-art guidance and the National Core Arts Standards framework.
THE STUDIO GUIDE'S PROJECT PLAN
What students are making
Make a character consistency sheet featuring a penguin with an oversized backpack. The character wants to carry one library book, but packs so much that the bag tips backward. One possible ending: it uses the empty bag as a book sled. Invent a different kind ending if you prefer.
Student directions
- 1
Your finished project is a character consistency sheet featuring a penguin with an oversized backpack. Read the story seed: The character wants to carry one library book, but packs so much that the bag tips backward. One possible ending: it uses the empty bag as a book sled. Invent a different kind ending if you prefer.
- 2
Start with oval body, short flippers, and a large rectangular bag. These are helpful shapes, not a tracing template.
- 3
Choose three features that must stay recognizable, such as ear shape, body proportion, and the prop.
- 4
Draw the character from the front and side using a shared height guide. Add a small action pose.
- 5
Compare feature sizes across views. Adjust differences that were accidental while keeping useful pose changes.
- 6
Ask a partner to identify the same three features across the drawings. Correct a disappearing or changing feature. Use large, clear shapes and show one understandable change.
Artist connection
Mo Willems OPEN THE DIRECT EDUCATIONAL RESOURCE · TEACHER PREVIEW REQUIREDThe Eric Carle Museum describes how simple shapes create expressive characters. Classroom connection: notice how a small face or pose change can communicate a feeling. For this lesson, investigate model sheets using your own a penguin with an oversized backpack.
Teaching rule: borrow the artist’s question, process, material thinking, or relationship to audience—not a recognizable style.
Current art-world practice
Original cartoon storytelling through model sheets. This classroom task studies visual communication; it does not reproduce a published character or strip.
Ask students where they might encounter this practice today: a museum, public space, screen, community event, landscape, or temporary installation.
Teacher preparation
- Preview the linked Mo Willems resource and choose one classroom-appropriate example. No purchase or whole-film viewing is required.
- Prepare a quick model sheets demonstration using a different original character.
- Prepare a page or card layout for a character consistency sheet featuring a penguin with an oversized backpack; print the matching worksheet.
- Offer large paper and short word banks; an adult may scribe dialogue.
Demonstration notes
- Begin with oval body, short flippers, and a large rectangular bag.
- Choose three features that must stay recognizable, such as ear shape, body proportion, and the prop.
- Draw the character from the front and side using a shared height guide. Add a small action pose.
- Compare feature sizes across views. Adjust differences that were accidental while keeping useful pose changes.
- Show one unclear version and explain a small revision rather than presenting a perfect picture to copy.
Learning goals
- Practice model sheets through an original cartoon.
- The character remains recognizable in two views and an action pose.
- Use large, clear shapes and show one understandable change.
Materials
- drawing paper and scrap paper
- pencil and eraser
- optional black drawing pen
- ruler for panel guides when useful
Teaching sequence
- 1
0–5 MIN · LAUNCH — Introduce a penguin with an oversized backpack. Read the goal and obstacle; let students propose an ending.
- 2
5–10 MIN · MODEL — Demonstrate Choose three features that must stay recognizable, such as ear shape, body proportion, and the prop. Use oval body, short flippers, and a large rectangular bag. Explain that the character reference is not a finished assignment.
- 3
10–15 MIN · TRY — Draw the character from the front and side using a shared height guide. Add a small action pose. Students compare small trials before committing.
- 4
15–32 MIN · MAKE — Compare feature sizes across views. Adjust differences that were accidental while keeping useful pose changes. Use large, clear shapes and show one understandable change.
- 5
32–40 MIN · TEST + REVISE — Ask a partner to identify the same three features across the drawings. Correct a disappearing or changing feature. Record the partner's response before explaining the intended meaning.
- 6
40–45 MIN · SHARE + CLEAN — Collect the work and one revision note. Do not grade drawing speed or realism.
What success looks like
- The work addresses a penguin with an oversized backpack and the chosen skill.
- The character remains recognizable in two views and an action pose.
- The student makes an original choice rather than copying the reference.
- Use large, clear shapes and show one understandable change.
Teacher questions
- How can we show that the character wants to carry one library book?
- Which visible clue shows that it packs so much that the bag tips backward?
- Ask a partner to identify the same three features across the drawings. Correct a disappearing or changing feature.
- What does the reader understand without your explanation?
Common problems + responses
- The picture is busy — remove a background detail that does not support the skill.
- The character changes accidentally — compare its three identifying features.
- The ending is unclear — strengthen the visible clue before adding more words.
Access + differentiation
- Provide the page divisions or large head outlines; let the student choose the expression and action.
- Use large, clear shapes and show one understandable change.
- Extend by trying a second version with a different viewpoint or pacing and explaining the effect—not by adding unrelated materials.
Material substitutions
- Use pencil only if drawing pens are unavailable.
- Use larger paper, adapted grips, a partner recorder, or spoken reflection.
- For motion, arrange numbered drawings and move through them by hand if flipping is difficult.
Four-part assessment rubric
SKILL — The character remains recognizable in two views and an action pose.
STORY — A viewer can identify the intended action or idea.
PROCESS — Trials and a purposeful change are visible.
REFLECTION — The student cites a reader response or visible detail.
Vocabulary
Student reflection
What did you notice? Which choice feels most like yours? What would you change next?
National Core Arts Standards
VA:Cr1.1.3a — Elaborate imaginative ideas
VA:Cr2.1.3a — Create personally satisfying art
VA:Cr3.1.3a — Revise through reflection
STUDENT PROMPT