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GRADES 3–5 · Mouths · Expressive Portraits

Draw Closed Lips: Change the Mood

Name ____________________ Date __________

WHAT YOU WILL MAKE

Create two related studies labeled with their intended moods, focusing on draw closed lips. Use the subject steps as practice before making this final pair or set.

Shared feature reference for Mouths — Shared feature reference. It may not show this task’s exact pose, accessory, or style. Use the teacher’s matching reference too.

Draw it step by step

Begin with the line where the lips meet. Make two versions of the same feature or portrait with different moods. Keep the identity clear while changing your drawing choices.

Choose two moods, such as calm and excited. Plan how line pressure, angle, gaze, silhouette, or contrast could suggest each.
Observe the meeting line and draw it lightly.
Add the upper and lower lip shapes around it.
Shade gently below the lower lip; avoid a thick outline everywhere.
Repeat the study with the second mood. Keep two identifying shapes the same. Change at least two visual choices, then ask a partner what each version suggests.

Watch out → Try this

Common drawing problem: Adding small details before the main shapes and placement are clear.

Repair: Return to the first subject step: Observe the meeting line and draw it lightly. Compare the biggest shapes before refining.

Check your work: Is the meeting line more important than the outer border? Name two changed choices and two shapes you kept. A viewer may interpret the mood differently.

Materials: pencil, eraser, paper, and a mirror or teacher-approved reference. Optional black drawing pen; no painting required.

Draw Closed Lips: Change the Mood · Practice page

Name ____________________ Make light trials first. Divide a box further if your task needs extra versions.

1 · Observe and plan

2 · First drawing

3 · Change one choice

4 · Independent application

My evidence: Is the meeting line more important than the outer border? Name two changed choices and two shapes you kept. A viewer may interpret the mood differently.

I changed __________________ because I noticed __________________.

My next practice goal: __________________________________________________

Teach this handout · 30–45 minutes

Prepare: Provide a mirror or clear teacher-approved feature reference. Explain that students are practicing decisions, not copying every detail of the illustration.

Demonstrate: Demonstrate the subject sequence: Observe the meeting line and draw it lightly. Add the upper and lower lip shapes around it. Shade gently below the lower lip; avoid a thick outline everywhere. Then show how the final style step changes the drawing.

5 minutes noticing, 5 demonstrating, 15–25 drawing and revising, 5 sharing. Collect the practice page and a specific explanation of one change. Evaluate the target skill and revision—not attractiveness or speed.

Grade	Support and challenge
3	Use a large feature study and one observed change. Supply page divisions and model the first landmark. Two trials are enough before application.
4	Complete the listed sequence. Compare two versions and label the contour, proportion, or overlap that changed.
5	Use an unfamiliar reference or second viewpoint after mastering the first. Explain which choices should stay consistent when simplifying or exaggerating.

Offer adapted grips, larger spaces, extra time, or a spoken reflection. Use fictional characters for deliberate distortion; do not mock classmates or stereotype identities. Obtain consent before drawing a peer. Proportion guides are comparisons, not rules for all faces.